Film illustration
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Imagine a reliable commuter train that leaves the station on time every day. In agile, a “release train” works in a similar way—it’s a structured, predictable flow of work where multiple teams collaborate to deliver updates and features at regular intervals. It’s all about ensuring that your organization keeps moving forward steadily, with each “car” of work building on the last.
A bi-weekly system increment is basically a fancy way of saying that the ART team will deliver value, whether as an MVP or as a fully-fledged feature, to the product at the end of every sprint (every two weeks).
Empire of the Sun artwork
Chloe Dewe Mathews (British, b. 1982) Vebranden-Molen, West-Vlaanderen 2013 Soldat Ahmed ben Mohammed el Yadjizy Soldat Ali ben Ahmed ben Frej ben Khelil Soldat Hassen ben Ali ben Guerra el Amolani Soldat Mohammed Ould Mohammed ben Ahmed 17:00 / 15.12.1914 From the series Shot at Dawn © Chloe Dewe Mathews
Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.
My first published photo book, The Map, took me five years to complete, beginning in 1960. In late 1961 a solo show with work from the series was held at Fuji Photo Salon in Tokyo, organised in three parts.
Chloe Dewe Mathews (British, b. 1982) Vebranden-Molen, West-Vlaanderen 2013 Soldat Ahmed ben Mohammed el Yadjizy Soldat Ali ben Ahmed ben Frej ben Khelil Soldat Hassen ben Ali ben Guerra el Amolani Soldat Mohammed Ould Mohammed ben Ahmed 17:00 / 15.12.1914 From the series Shot at Dawn © Chloe Dewe Mathews
Some of the most moving evocations of the Great War were captured by commercial photographers who arrived in northeast France in the wake of the conflict, when people began travelling to the region in order to see for themselves the extent of the devastation of local villages, towns, and cities. There was enormous appetite for images recording the destruction, available in the form of cheap guidebooks and postcards.
Cinematic artwork
The significance of this interdisciplinary approach lies in its ability to break down traditional boundaries and foster creativity. By drawing from multiple disciplines, artists can push the limits of their practice and create works that resonate on multiple levels. This fusion of film and painting not only enhances the storytelling potential of visual art but also reflects the increasingly interconnected nature of contemporary culture.
The blog will also discuss the impact of this fusion on contemporary art, exploring how the blurring of boundaries between film and painting influences current artistic practices and future trends. We will conclude by reflecting on the significance of this interdisciplinary approach and encouraging readers to explore paintings with cinematic qualities, deepening their appreciation for the intricate relationship between these two powerful forms of art.
Film’s ability to convey complex narratives through visual imagery has revolutionized the way stories are told, using techniques such as framing, lighting, and sequential progression to guide viewers through a visual journey. These cinematic techniques have found their way into the realm of painting, where artists strive to evoke similar narrative experiences within the static confines of a canvas. This blend of film and painting results in narrative-driven compositions that not only capture a moment in time but also suggest a broader story, inviting viewers to engage with the artwork on a deeper level.